A TWO-YEAR COLLABORATION BETWEEN PIETRO FRANCESCHINI AND ARTIST ENRICO CAPANNI, DEVELOPED ACROSS SIX DIFFERENT SCENARIOS.
THE DRIVING INSPIRATION BEHIND OBJECTS OF ANGER IS A SET OF WW2 ARCHITECTURAL-RELICTS/WAR-MACHINES HOLDING AN UNFORTUNATE FATE. AS NAZI BUNKERS, NUCLEAR SILOS, SOUND-MIRRORS, ANTI-BALLISTIC PLANTS BECAME OBSOLETE, THEY HAVE BEEN DAMNED AND HATED BY MODERN HISTORY BUT THEIR UNDENIABLE CHARM IS VERY STRONG. THEIR REDUCED FORMS SEEM TO BE TIMELESS AND UNIVERSALLY VALID; THEIR GEOMETRICAL ORDER HIDES IMPERFECTION; THEIR AUSTERITY HIDES POETRY; THEIR COLD RATIONALITY HIDES ANCIENT MYSTERY.
OBJECTS OF ANGER ARE THE LEGACY OF A BYGONE ERA, WITNESSES TO SUFFERING, EMBODIED MYTHOS OF A PAST GENERATION, TESTAMENTS OF TRIUMPH AND DEFEAT.
OBJECTS OF ANGER ARE ALSO OBJECTS OF DESIRE, OBJECTS OF SHAME, OBJECTS OF HOPE, OBJECTS OF SUFFER, OBJECTS OF CHARM, OBJECTS OF MYTHOS, OBJECTS OF DOOM.