CREATED BY EXIT CEREN, THIS WORK BEGINS WITH PIETRO FRANCESCHINI’S WALDO CHAIR AND EXTENDS IT INTO A DENSE, CONSTRUCTED CITYSCAPE.
THE OBJECT IS MULTIPLIED, ABSORBED, AND PARTIALLY LOST WITHIN A LAYERED INDUSTRIAL ENVIRONMENT—SOMEWHERE BETWEEN ARCHITECTURE AND ILLUSTRATION. FORMS REPEAT AND ACCUMULATE, TURNING THE ORIGINAL PIECE INTO PART OF A LARGER SYSTEM.
THE COMPOSITION INVITES A SLOWER LOOK. AS A QUIET NOD TO WHERE’S WALDO, THE VIEWER IS DRAWN INTO THE SCENE, SEARCHING FOR THE CHAIR AS IT APPEARS, DISAPPEARS, AND BLENDS INTO THE SURROUNDING STRUCTURE.